* Messian:
Quartet For The End Of Time (Shaham et al.) (DG CD)
* Stockhausen: Mantra
(Mikashoff/Bevan/Orsted) (New Albion CD)
* John Coltrane: One Down, One Up:
Live At The Half Note (Impulse! 2CD)
* Herbie Hancock: V.S.O.P. (Columbia
2LP)
* Eddie Henderson: Realization
(Capricorn LP)
* Sam Rivers’ Rivbea All-Star
Orchestra: Inspiration (RCA-Victor CD)
* Larry Coryell: Basics (Vanguard LP)
* Joachim KΓΌhn: Springfever
(Atlantic LP)
* Bill Connors: Theme To The Guardian
(ECM LP)
* Bill Connors: Of Mist And Melting
(ECM LP)
* Joe Morris & Augusti Fernandez:
Ambrosia (Riti CD)
* Guillermo E. Brown: Soul At The
Hands Of The Machine (Thirsty Ear CD)
* DJ Wally: Nothing Stays The Same
(Thirsty Ear CD)
* Frank Ocean: Channel Orange
(Island/Def Jam CD)†/‡
* Frank Zappa: Wazoo (Zappa Family
Trust 2CD)
* Chicago: Chicago VII (Columbia 2LP)
* Dreams: Dreams (Columbia LP)
* Automatic Man: Automatic Man (Island
LP)
* Automatic Man: Visitors (Island LP)
* Fleetwood Mac: Mirage (Warner Bros.
LP)
* Fleetwood Mac: Tango In The Night
(Warner Bros. LP)
* Nick Drake: Five Leaves Left
(Island/Back On Black LP)
* Van Der Graaf Generator: The Least
We Can Do Is Wave To Each Other (Virgin/4MWB LP)
* Van Der Graaf Generator: H To He Who
Am The Only One (Virgin/4MWB LP)
* Van Der Graaf Generator: Pawn Hearts
(Virgin/4MWB LP)
* AC/DC: For Those About To Rock
(Atlantic LP)
* Thurston Moore & Loren Connors:
The Only Way To Go Is Straight Through (Northern Spy LP)
* Circus Devils: When Machines Attack
(Happy Jack Rock Records LP)
* Circus Devils: My Mind Has Seen The
White Trick (Happy Jack Rock Records LP)
* Giant Robot: Giant Robot (NTT CD)
* Boards Of Canada: Music Has A Right
To Children (Warp 2LP)
* Boards Of Canada: Geogaddi (Warp
3LP)
* Boards Of Canada: The Campfire
Headphase (Warp 2LP)
* Boards Of Canada: Tomorrow’s Harvest
(Warp 2LP)
* Astra: The Weirding (Metal Blade CD)
* Pelican: Forever Becoming (Southern
Lord 2LP)
* Chris Forsyth: Solar Motel (Paradise
of Bachelors MP3)†(‡)
* Wild Nothing: Nocturne (Captured
Tracks CD)†/‡
* Beach House: Teen Dream (Sub Pop
2LP)
†=iPod
‡=car
Commentary:
When I
reviewed guitarist Chris Forsyth’s Kenzo Deluxe (Northern Spy), for Spectrum Culture last year, I called him as a “post-modern master of the instrument” and
described the album as “four thoughtful, highly personal meditations on the
electric guitar’s limitless possibilities.” Utilizing an array of stomp boxes,
including digital delays and a looping pedal, Forysth crafted a beautiful set
of intimately evocative pieces; but, as much as I enjoyed this quiet and
contemplative solo album, I really wanted to hear him with a full band, rocking
it out. Now, over a year later, we finally get the opportunity.
On Solar
Motel, Forsyth’s new album for Paradise of Bachelors, he is joined by Mike
Pride on drums, Peter Kerlin on bass and Shawn Edward Hansen on keyboards, and
together they fulfill the latent promise of Kenzo Deluxe. Forsyth calls what he
does “Cosmic Americana,” synthesizing jazz, rock, blues and avant-garde styles
into a singular, guitar-driven instrumental music that rewards the ear, mind
and body. With a muscular rhythm section in tow, including minimalist yet
atmospheric keyboards, Forsyth clearly references the dual-guitar line-ups of Jerry
Garcia and Bob Weir of the Grateful Dead, Tom Verlaine and Richard Lloyd of
Television and Thurston Moore and Lee Ranaldo of Sonic Youth while sounding
nothing like any of those individuals. Although he studied with Lloyd for a
while, Forsyth’s angular, slashing attack sounds more like Robert Quine than
anyone else—and the accumulative instrumentation and epic crescendos bring to
mind the ecstatic grandeur of Popul Vuh. In the end, however, these references
are merely touchstones in a singularly conceived aesthetic.
Divided into
four parts (and further subdivided into two side-long pieces which flow
seamlessly together), Solar Motel is presented as a suite and painted with
broad strokes. Beginning with a looped, one-note figure, "Part I" builds slowly
over the course of twelve blissful minutes, slipping in and out of time with
uncanny precision. The transmogrified pulse then segues into "Part II," featuring
a majestic theme and a spacious, two-chord jam, rich with plummy guitar and
synthesizer tones. Side two slows things down and adds a bluesy arpeggiated
feel while further increasing the complexity, with interleaving section work
punctuated by pregnant pauses. Finally, a spacey loop introduces "Part IV," ending with the loosest and most uncompromisingly psychedelic track on the
album. Solar Hotel is a subtly cohesive, 45-minute-long piece and, once it
ends, you immediately want to hear it again, in order to better understand how the
pieces fit together—and to experience it as one, never-ending loop. That, to
me, is the sign of a great record.
Solar Hotel
hits the streets on Tuesday, digitally and on limited edition, gatefold LP.
Although Paradise of Bachelors kindly sent me an advance MP3, you know I’ll be
getting this one on wax—and you should too! Most highly recommended.
